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Life. Death. Joy. Tragedy.
Suite101, January 2, 2003 by Sharon Wren

Dark Rooms: A Saga -- Siddharth Katragadda
Life. Death. Joy. Tragedy. A culture in the midst of change. All these elements are woven together in an exotic tapestry of poetry called “Dark Rooms ­ A Saga” by Siddharth Katragadda. Gopal spends his long days in the dark rooms of his family home, a home that was once alive with as much light and creativity as was allowed by the structured life in India at that time. When the family’s patriarch dies at his desk, it sets off a chain reaction that can be felt two generations later. Gopal and his family struggle to live the way they were raised, in a world where everyone has been turned upside down and shaken. One sibling makes movies; another engraves wedding invitations, even though she will never be able to have one of her own. Gopal tries to do what is expected ­ marry the woman promised to him as a child and take his place in society ­ but his hopes are dashed when Kaveri, his bride, leaves him and flees to America. He waits for her return in those dark rooms, writing poetry. Katragadda uses adjectives like a paintbrush, creating a lush description of a culture that is still quite mysterious to Western minds. He writes lyrically of love and loss without resorting to clichés. He frequently uses cultural references, but each poem ends with a brief description of those that are unfamiliar. The reader feels like he’s at strange, new rituals with a friendly guide who’s more than happy to whisper explanations when necessary. “Dark Rooms” offers a revealing look behind India’s journey to keep up with an ever-evolving world, and that journey’s effects on its people. Narrated by Gopal’s nephew, the story is compelling but doesn’t demand to be read. Instead, it lures the reader in gently and offers itself, like a cold drink on a sultry day.

 

 

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